Visit to a small planet part 4

Visit to a small planet part 4

note: Nou is a kind of traditional masque play from 500 years ago, Joruri is a traditional puppet theater from 300 years ago. The characters that are on the ground are depicted by 2D, while the air battle scenes are visit to a small planet part 4 by 3D-CG. What did you intend?. Oshii replies, This has a simple reason. No animator can draw fighter planes or moving clouds by hand now. Generally, we cant choose hand drawn animation if we want to keep preserving quality. If its so, I should have taken CG positively. In the air scenes, the pilots wearing visit to a small planet part 4 were drawn on cels and later on added to the CG. The taste of keeping the pilots hand-drawn filled the airplanes with soul. However, I believe none visit to a small planet part 4 try that way again. It takes so much time and effort. Maybe the mass media will admire Miya-sans try on insisting to use hand-drawn animation as a kind of touching tale, but I doubt it will. We cannot rely on high quality hand drawn animation anymore. At least not for theatrical features. For mass-produced anime TV series they don t even care about its quality note: most of them are outsourced to other Asian countries. note: honestly, Oshii s clever talk is very interesting, though it is hard to transfer all the nuances into this summary Oshii, Indeed Ponyo shows the appeal of handling skills. Even if CG could have showed the jellyfish scene more realistically than how it was done in Ponyo, it can never show the taste we can enjoy due to the handling skill of Ponyo. However, hand drawn animation is a kind of craftwork. Craftwork cannot be mass-produced, because it takes a lot of time and sacrifices to grow skilled craftsmen. Behind one skilled craftsman growing up, lots of young talents are dumped into the dustbin. About 20 of the very skilled animators that have supported the high quality of Japanese hand drawn animation are already in their 40s now. Suzuki, No. They are over Oshii, We dont see any skilled animators after them. Suzuki, Havent you cultivated any young animators at Production IG? Oshii, Yes, I tried.